Meet Christine Amsden
Christine Amsden has been writing fantasy and science fiction for as long as she can remember. She loves to write and it is her dream that others will be inspired by this love and by her stories. Speculative fiction is fun, magical, and imaginative but great speculative fiction is about real people defining themselves through extraordinary situations. Christine writes primarily about people and relationships, and it is in this way that she strives to make science fiction and fantasy meaningful for everyone.
At the age of 16, Christine was diagnosed with Stargardt’s Disease, a condition that effects the retina and causes a loss of central vision. She is now legally blind, but has not let this slow her down or get in the way of her dreams. (You can learn more here.)
In addition to writing, Christine teaches workshops on writing at Savvy Authors. She also does some freelance editing work.
Christine currently lives in the Kansas City area with her husband, Austin, who has been her biggest fan and the key to her success. They have two beautiful children.
Connect and Socialize with Christine!
Synopsis from Goodreads:
When a couple freezes to death on a fifty degree day, Cassie is called in to investigate. The couple ran a daycare out of their home, making preschoolers the key witnesses and even the prime suspects.
Two of those preschoolers are Cassie’s youngest siblings, suggesting conditions at home are worse than she feared. As Cassie struggles to care for her family, she must face the truth about her mother’s slide into depression, which seems to be taking the entire town with it.
Then Cassie, too, is attacked by the supernatural cold. She has to think fast to survive, and her actions cause a rift between her and her husband.
No, life doesn’t end after marriage. All hell can break loose at any time.
Coming to Amazon on July 15, 2018!
I would like to welcome Christine Amsden, author of the paranormal mystery novel Frozen, to Emeraldfire's Bookmark. Ms. Amsden was kind enough to write a guest post for me and here it is below in her own words:
Designed by Lou Harper, the beautiful cover art for Frozen is far more than it appears. It is actually the culmination of years of struggle, of adversity, and of serious backlash over misleading, inadequate, and unprofessional series covers.
Let me back up, because this story doesn’t begin with Frozen at all. It begins with the first book in the Cassie Scot Series, which has recently had an incredible makeover.
Many of my reviews for the early books in the series say, “Don’t judge this book by its cover!” They go on to say that the cover is awful, but the book is great. Well, obviously, I’m glad they liked the book, but I’ve been discouraged for years by the flack I’ve received for the covers.
One of the worst consequences of my original covers was the mistaken belief (by some) that my books were mid-grade novels, or at least young adult. They are not! These were written with adult audiences in mind.
As a picture is worth a thousand words, let me show you the before and after images:
The original cover artwork for the Cassie Scot Series were hand painted originals done just for me. And saying that is bittersweet, because when my publisher first suggested going this route, I felt incredible pride at the idea of having artwork created just for me. It made me feel special. At this point, I have something of a love/hate relationship with the original covers because I can’t deny they were mistakes. Yet, some part of me still sees something special in them, something unique that the modern practice of photo manipulation can’t capture.
Take Secrets and Lies, for instance, the second book in the series and the one with the greatest backlash. “It looks too romantic,” many or my readers said to me. And maybe it does. None of these books are romances, exactly, but there is a strong romantic subplot (like it or not), and that pose on the original Secrets and Lies perfectly captures the tension in that book - Evan wants Cassie; Cassie is unsure.
Photo manipulation is incapable of creating such a scene. To do the same thing with photography, I would have to hire my own models, and a photographer, and do a prohibitively expensive photo shoot to make it happen.
But I get it. I really do. The original cover artwork has mannequin-like faces, and they lack the sharpness, the zing, the edge of professionalism that people are used to seeing on urban fantasy novels.
I asked my publisher to hire a new cover designer for Madison’s Song and Kaitlin’s Tale, two spin-offs following secondary characters, and she did a nice job. Not so nice that I wanted her to redo my whole series, but definitely an improvement. And at that point, I thought I was done writing the series.
When Cassie told me, “Life doesn’t end when you get married,” and made me write Frozen, the first book in her new plot arc, I knew I needed something different for the cover. My publisher gave me some choices, knowing I was unhappy with the earlier artwork, but ultimately I refused them all and asked her if she would hire Lou Harper, who was recommended by some fellow authors.
We found a stock photo model for Cassie, and when I did, I tried to find someone with enough poses that she could be used on additional books and maybe...if I liked Frozen well enough, on a series overhaul. I told Lou about some magical creatures that appear in the book, including a hellhound, which she depicted beautifully standing atop a frozen lake. The mist obscuring the background is another important plot element, and really holds the scene together.
When I revealed the cover art for Frozen to my loyal readers, I got immediate, positive feedback. Some claimed that Cassie looked just like they’d pictured. Many said it was beautiful, and professional, and when I floated the idea of the series makeover, I was met with enthusiastic encouragement. So I went for it.
The result is...breathtaking, I think. I particularly love the covers to Mind Games and Stolen Dreams (books three and four), though I am enthusiastic about all of these. They are obviously more professional, cleaner, and state clearly, “These are adult urban fantasy novels.”
I hope you like the new covers half as much as I do, and that regardless, you’ll give the books a chance. You shouldn’t judge a book by its cover, but we often do. I sometimes do, even though I know how the process goes, and how hard it is to find the right representation for a book!
I present these before-and-after covers proudly, but know the books are far more than their covers. Cassie Scot is a labor of love that only comes alive when you peek inside.
May you read well and often
‘Cover Art Re-Reveal’
by Christine Amsden
Designed by Lou Harper, the beautiful cover art for Frozen is far more than it appears. It is actually the culmination of years of struggle, of adversity, and of serious backlash over misleading, inadequate, and unprofessional series covers.
Let me back up, because this story doesn’t begin with Frozen at all. It begins with the first book in the Cassie Scot Series, which has recently had an incredible makeover.
Many of my reviews for the early books in the series say, “Don’t judge this book by its cover!” They go on to say that the cover is awful, but the book is great. Well, obviously, I’m glad they liked the book, but I’ve been discouraged for years by the flack I’ve received for the covers.
One of the worst consequences of my original covers was the mistaken belief (by some) that my books were mid-grade novels, or at least young adult. They are not! These were written with adult audiences in mind.
As a picture is worth a thousand words, let me show you the before and after images:
The original cover artwork for the Cassie Scot Series were hand painted originals done just for me. And saying that is bittersweet, because when my publisher first suggested going this route, I felt incredible pride at the idea of having artwork created just for me. It made me feel special. At this point, I have something of a love/hate relationship with the original covers because I can’t deny they were mistakes. Yet, some part of me still sees something special in them, something unique that the modern practice of photo manipulation can’t capture.
Take Secrets and Lies, for instance, the second book in the series and the one with the greatest backlash. “It looks too romantic,” many or my readers said to me. And maybe it does. None of these books are romances, exactly, but there is a strong romantic subplot (like it or not), and that pose on the original Secrets and Lies perfectly captures the tension in that book - Evan wants Cassie; Cassie is unsure.
Photo manipulation is incapable of creating such a scene. To do the same thing with photography, I would have to hire my own models, and a photographer, and do a prohibitively expensive photo shoot to make it happen.
But I get it. I really do. The original cover artwork has mannequin-like faces, and they lack the sharpness, the zing, the edge of professionalism that people are used to seeing on urban fantasy novels.
I asked my publisher to hire a new cover designer for Madison’s Song and Kaitlin’s Tale, two spin-offs following secondary characters, and she did a nice job. Not so nice that I wanted her to redo my whole series, but definitely an improvement. And at that point, I thought I was done writing the series.
When Cassie told me, “Life doesn’t end when you get married,” and made me write Frozen, the first book in her new plot arc, I knew I needed something different for the cover. My publisher gave me some choices, knowing I was unhappy with the earlier artwork, but ultimately I refused them all and asked her if she would hire Lou Harper, who was recommended by some fellow authors.
We found a stock photo model for Cassie, and when I did, I tried to find someone with enough poses that she could be used on additional books and maybe...if I liked Frozen well enough, on a series overhaul. I told Lou about some magical creatures that appear in the book, including a hellhound, which she depicted beautifully standing atop a frozen lake. The mist obscuring the background is another important plot element, and really holds the scene together.
When I revealed the cover art for Frozen to my loyal readers, I got immediate, positive feedback. Some claimed that Cassie looked just like they’d pictured. Many said it was beautiful, and professional, and when I floated the idea of the series makeover, I was met with enthusiastic encouragement. So I went for it.
The result is...breathtaking, I think. I particularly love the covers to Mind Games and Stolen Dreams (books three and four), though I am enthusiastic about all of these. They are obviously more professional, cleaner, and state clearly, “These are adult urban fantasy novels.”
I hope you like the new covers half as much as I do, and that regardless, you’ll give the books a chance. You shouldn’t judge a book by its cover, but we often do. I sometimes do, even though I know how the process goes, and how hard it is to find the right representation for a book!
I present these before-and-after covers proudly, but know the books are far more than their covers. Cassie Scot is a labor of love that only comes alive when you peek inside.
May you read well and often
